EvilPhoEniX

For me, an instant favourite that flies into the TOP 10 movies of all time. I've seen the film twice in the cinema already, but I'm still excited that I don't know how to properly express my feelings. The director, Philippe Lacheau, is a guy I've been following for eight years now and you can say he's my idol too, he's fulfilling my dream and making movies with his best friends and they are smart, bold, funny, original, but most of all with heart (I think Phillipe is a movie nut like me and I respect him for what he's doing for the movie world and for France). Superwho? is arguably their Avengers film and the best film of the bunch (the rest are also borderline 8-9/10 though) – by the way, great timing releasing this film at the time of the new Batman. The main character is a not very successful actor who accidentally comes to star in the new Badman movie. He has a car accident and wakes up with lost memory in a batmobile, a batsuit and a bag full of money, all indicating that he is a real superhero. The premise is presented in a very clever and entertaining way, and Phillipe has incredible timing throughout the film. It's packed with jokes from the first minute to the end (downright roaring and crying, I stress!), there are countless easter eggs and references (maybe even more than in Ready Player One). You can see the director has really studied movies, and there are not only references to Marvel and DC, but also to other movies (The Intouchables 2 Lol). There are also a lot of politically incorrect references to other things (illegal immigrants, burned-down Rotterdam and Alec Baldwin, and the prop gun), it got me. Of course the action works too (the Batman vs Joker knife fight is excellent). The cinematography is great, with playful slow motion, it has a European feel and swing and elegance. As if that weren't enough, the emotions and dramatic moments work as well (the scene with the father is really great), and of course there is also great music (as soon as the Marvel theme song started playing, I had tears in my eyes), but the main themes eof Guardians of the Galaxy and KickAss are good, too (not to mention Survivor from Tomb Raider!). And yes it's also packed with intelligent and surprising twists. It's unbelievable how someone can cram all the film's ingredients into 90 minutes and present them in such a fresh, clever and compelling way. By the end of the screening I was shaking and crying with happiness and emotion that I had seen a movie with a capital M. I can't have a single complaint about it, but I do believe that for some viewers the humor will be a little too over the line at times (it's unexpectedly morbid and WTF at times, but I welcomed it warmly). I'll be watching this about five times a year. There are so many hidden things, details and little things in this movie that everyone will notice something different and on repeat viewings and feel they are watching it for the first time, which is great! Excellence. Story 5/5, Action 4/5, Humour 5/5, Violence 2/5, Fun 5/5 Music 5/5, Visuals 5/5, Atmosphere 4/5, Suspense 4/5, Emotion 4/5, Actors 5/5. 10/10

This new revenge drama, praised by critics and abroad, was in my radar, but unfortunately for me it was a misstep that managed to present even my favourite subgenre in a dull and uninteresting way. Plot-wise it's not very original, it's actually quite simple and straightforward. The main character returns to town after ten years to settle scores with the people who screwed him over and that's it. It alternates between non-linear present and past, so it's both annoying and confusing at times, but that is something I could overlook if the rest of it worked, but it doesn't. Visually it's as cheap as communist toilet paper, there's a bunch of unlikeable and not-so-good English actors, and the violence, I various reviews said was gritty, bloody and dark, was so downright ridiculous due to the low finances (a knife cutting through sweatpants, off-camera, etc)that it really didn’t grab me. There's no gore like gore, if I had to rate the gore here with hotel stars, Bull would get one or two. On top of that, despite the 90 minute running time, it doesn't entertain much. The film flows slowly and tries to make some sort of social commentary and a point about crime in London, which isn't much to cheer about. There's also an awkward twist, which relegates the whole film perhaps one level lower for me. Story 2/5, Action 2/5, Humour 0/5, Violence 2/5, Fun 2/5 Music 2/5, Visuals 2/5, Atmosphere 3/5, Suspense 1/5, Emotion 2/5, Actors 2/5. 4/10.

It has a bit of an Independence Day 2 feel. I like Emmerich, he handles the VFX attractions well, but the rest is noticeably inferior to the competition. I found everything here to be incredibly rushed forward (it's quite a ironic that Don't Look Up was able to present the threat in a much more interesting, exacerbated and intense way), which is a shame, I believe with a strong background this could have been very good. At the same time it's a shame that Emmerich had to mix in artificial intelligence and aliens, in other circumstances I would have welcomed it, but here the threat of the moon alone would have been enough to give the whole thing a more serious feel. It's cheesy and quite entertaining, but it's a shame that the destruction itself takes a while. 5.5/10.

Unexpected hit! The biggest fail of the whole film is probably the rating here. (in Rotten Tomatoes is 75%). The movie comes across as a mix of Bourne, Clancy, Ryan and others, but who cares. It's not some underfunded crap with terrible actors, cheap visuals and bad action, everything works here, but already saw similar stuff elsewhere a few years back, so I'm happy for any tactical military action movie. The film nicely shows that even if you serve your country for a few years, you can lose absolutely everything in an instant, and that's the situation Chris Pine finds himself in, with enforcers on his ass and nothing to support his family – right from the start, any normal person must immediately empathise with the protagonist. The only way out of this is one secret black ops mission that doesn't go to plan and the consequences are fatal. I'm happy with the premise, it feels realistic and authentic and thus I view it more as an actual ongoing mission than a movie. I was immediately impressed by the great details of the film: the elaborate equipment of the unit, the modern gear with all the trimmings, it can make any military fan grin from ear to ear). The sound design of the weapons is very good, and Pine behaves intelligently, exactly as a man with that experience should behave, but most of all, he is wounded, exhausted, physically absolutely fucked up, and the viewer has the uncomfortable feeling that his life is on the line. It's also R-rated, so there are a few grittier shots (the shootout in the woods with the cops is very intense), and there's some nice action in Berlin in broad daylight and a few minor elimination fights. I have to praise the music, it was such a blast that it stomped the whole of Dune into the ground (some scenes reminded me of the the recent Ambulance). There is one minor twist and one superbly acted emotional situation in a car park. Ben Foster also gives a very strong performance. The atmosphere is thick as hell, I enjoyed it a lot, found it quite suspenseful and intense, I really don't know who has a problem with this film. I see only positives here. Story 3/5, Action 4/5, Humor 0/5, Violence 4/5, Fun 4/5 Music 5/5, Visuals 4/5, Atmosphere 4/5, Suspense 4/5, Emotion 3/5, Actors 4/5. 8/10.

A likeable family road-movie drama that follows a familiar template, but has nothing to offend. The kind of feel-good movie for a Sunday afternoon that will please the ladies because of Tatum, and also dog-lovers. The premise is a bit unconventional, Tatum is a Marine who, due to a brain injury, is no longer wanted in the Army, but is given the task of transporting a dog to her former master's funeral. The dog is very aggressive and taming it will be no fun, and that leads to some comical situations in the first half. It probably needed a stronger emotional pull on the gate, but still the good feeling of the film remains. 6/10.

An enjoyable spring film packed with great actors, a fine setting and effective humour. I didn't expect much from Lost City and it could be said it is a spring surprise that combines several elements and genres in one, and it all works well together. Sandra Bullock is traditionally excellent as a sexy and smart woman. She plays a successful writer who is kidnapped by a mad millionaire (Daniel Radcliffe) because he thinks she her book describes the path to a lost city and hidden treasure. Sandra is about to be rescued by a bumbling dork played by Channing Tatum (quite possibly his best role ever). He hires Navy Seals Tracker Jack Trainer (Brad Pitt), who deserves his own movie, an unreal badass who has one of the best action scenes of the entire film (surprisingly solid fights!). Plot-wise it's a bit cliched and predictable, but it doesn't really matter that much as the chemistry between Bullock and Tatum works great (their banter is very entertaining, classy, intelligent and never descends into profanity). The whole film has a nice pace with fine action and a decent amount of humour. The jungle setting could have been used better (there are no animals or danger there, unfortunately), and the finale is weaker than the beginning and middle, but I still had a great time and will happily repeat the film. Story 3/5, Action 4/5, Humor 4/5, Violence 1/5, Fun 4/5 Music 3/5, Visuals 4/5, Atmosphere 3/5, Suspense35/5, Emotion 3/5, Actors 4/5. 7.5/10.

An instant candidate for Thriller of the Year from France. Black Box is a proper thriller with no weaknesses! The protagonist is a smart young black box analyst with a great passion, an unprecedented talent (trained as an acoustician) and a sense of hearing that is out of the normal spectrum. He is tasked with solving the crash of a brand new plane with 300 passengers where no one survived, quite possibly the hardest job of his life. Was it terrorists, a plane malfunction or something else? The film has the incredible advantage of benefiting from a very original and attractive plot, where the viewer is not only interested in the unraveling of the mystery itself, but also how such a job in a similar disaster takes place in the real world, for which I am grateful. The whole film from beginning to end runs like a Swiss watch, it is incredibly suspenseful, the atmosphere is powerfully unsettling, the main character's performance is almost Oscar-worthy, the soundtrack is creepily horrifying to the point of eeriness, the aircraft simulation ( carnage,wow,lol. that's all I can say). There’s a corporate conspiracy of aircraft companies, elaborate and intelligent twists and turns and a quite shocking and unexpected finale. Until the last moment the viewer has no idea how it will all turn out and the denouement is of course realistically frightening. It works as a whodunit, as a thriller and as a drama, and in all ways the director goes about it with a straight face and with his head held high. Bravo, I'm really impressed. I heartily recommend this to everyone, everyone should see this. Story 5/5, Action 2/5, Humour 0/5, Violence 0/5, Entertainment 4/5 Music 5/5, Visuals 4/5, Atmosphere 5/5, Suspense 5/5, Emotions 4/5, Actors 5/5. 9/10.

A solid atmospheric and uncomfortable horror film from Paco Plaza. The Grandmother is not as great as expected, but I was not offended and got what I expected. A Parisian model has to return from Madrid because her grandmother has had a stroke and needs immediate care, but it's no walk in the park. I’ve liked scary old people since The Visit and this time I was once again treated to a nice horror film. This source of haunting works for me more than ghosts or demons, it is very realistic and relatable and I certainly didn't envy the situation given to the main character. It has a slower pace, but it's beautifully shot and acted, and the atmosphere is awesome in each scene (the dream sequences are terrific and the finale reminded me of The Conjuring). There is great sound and camera work and strobe work – and I like that. The final twist can be predicted, but I still found it well thought out and properly unsettling. Anyone who likes Spanish filmmaking, scary old people and proper atmospheric fear without cheesy jump-scares the old fashioned way shouldn't grumble. A hair worse than last year's 32 Malasana Street, but fine nonetheless. Story 3/5, Action 2/5, Humour 0/5, Violence 1/5, Fun 4/5 Music 4/5, Visuals 4/5, Atmosphere 4/5, Suspense 3/5, Emotion 2/5, Actors 4/5. 7/10.

An insanely morbid cannibal-vegan horror comedy from France! Definitely a surprise for me and the film really hit the mood. The story focuses on a married couple who after twenty years are not doing so well, their little butcher shop is not making much profit anymore. Everything changes when they accidentally run over a guy who just happens to be vegan and decide to butcher and sell him, and of course the demand for new "vegan" meat grows. From that point on, the ultimate serial killer vegan hunt begins and it's a ride. It's full of morbid lines mocking vegans and with the typical French humour, which I personally quite like, so all these comical, ironic, sarcastic, black and morbid situations hit the spot. For more sensitive viewers this will of course be over the line, and for vegans even more so, they get trolled in incredible style (I've never seen that in any film form, you could say this film is a satire), and the gore, the various dismemberments of all sorts of limbs (there is a five-minute scene where the central couple comically murder about ten people in various ways) are a delight. The finale is more action packed, but you could definitely feel that the makers were running out of ideas to end the film properly, but it certainly doesn't detract from the experience. I laughed out loud, a breezy horror comedy for me. Story 3/5, Action 3/5, Humour 4/5, Violence 4/5, Fun 4/5 Music 3/5, Visuals 3/5, Atmosphere 3/5, Suspense 3/5, Emotion 2/5, Actors 3/5. 7.5/10

A magical neo-noir thriller by Guillermo del Toro! Nightmare Alley isn't for mainstream audiences and you need to be in the mood for it, but if you're properly tuned in like me, you're in for an awesome magical movie experience. The film benefits a lot from a perfect cast, with Bradley Cooper in the lead and Cate Blanchett also in a very prominent role of her career (the rest of the characters have less space, but Willem Dafoe, Toni Collette and Ron Perlman are good, too). The first hour was very close and appealing to me, set in a post war circus, a setting I like a lot and here they portray very nicely what goes on behind the curtain (all the shenanigans). The story of the wild man is awesome, it has quite a disturbing and sultry atmosphere. Visually it's absolutely breathtaking to the point of being mesmerizing, some of the shots will make want to pause the film and take a picture (Guillermo is a god in visual styling). The second half goes in a different direction, and I won't say which one, but it definitely builds up decently, the tension and uncertainty builds up and the finale is quite uncompromisingly ironic. The film is two and a half hours long and has a slower pace, so impatient viewers will probably fall asleep or give up on it, but I surprisingly stared open-mouthed and thoroughly enjoyed the whole thing. It's a perfect example of manipulation, psychology, scamming and deception with a nice period setting, magical atmosphere, excellent actors, stunning visuals and well written dialogue. The scene where the older gentleman explains to Bradley the trick of manipulating people with the right words- is great. I took away a lesson from the movie, I feel I was on top of things and it's definitely something to debate with friends for half an hour, so very good for me. Story 4/5, Action 2/5, Humor 0/5, Violence 2/5, Fun 4/5 Music 4/5, Visuals 5/5, Atmosphere 4/5, Suspense 3/5, Emotion 3/5, Actors 4/5. 8/10.