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The ladies get creative when Sam forces them to compete for airtime. Debbie discovers the producer life isn't quite what she'd hoped. (Netflix)

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Necrotongue 

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Engels The second season just isn't doing it for me. Sure, Netflix is still ticking those quota boxes, ensuring the woke critics can't find much fault, but it's coming at a cost. They've managed to kill almost all the humor, but I'm left wondering about their overall direction. Are they trying to morph what was once a funny, refreshing show into some kind of existential drama? I hope not. ()

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