Biografie
Lav Diaz (b. 1958, Datu Paglas, Philippines) is a director known for the extreme length of his films, some of which run more than eight hours. He began as a musician, poet, and screenwriter for local television, and established himself as a filmmaker in the early 1990s. His best known works include the almost eight-hour long Melancholia (2008), which won the main prize at the Venice IFF, and the nine-hour Death in the Land of Encantos (Kagadanan sa banwaan ning mga Engkanto, 2007). In both subject matter and style, Diaz’s films are firmly rooted in Filipino culture. Their typical aesthetic features include (in addition to their long run time) slow pacing, extensive takes, and the absence of music. Using these tools, Diaz tries to reproduce the specific aesthetic peculiar to the Filipino mentality, which is not subject to the Western perception of time.
48. MFF Karlovy Vary
Regisseur
Documentaire | |
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2019 |
30 (+) films pour la 30ème |
2014 |
Mga anak ng unos |
2013 |
Venice 70: Future Reloaded |
2012 |
Pagsisiyasat sa gabing ayaw lumimot |
Korte films | |
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2018 |
The Boy Who Chose the Earth |
2016 |
Ang araw bago ang wakas |
2013 |
Prologo sa ang dakilang desaparacido |
2009 |
Butterflies Have No Memories |
2008 |
Purgatorio |
Scenarioschrijver
Documentaire | |
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2019 |
30 (+) films pour la 30ème |
2012 |
Pagsisiyasat sa gabing ayaw lumimot |
Korte films | |
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2016 |
Ang araw bago ang wakas |
2013 |
Prologo sa ang dakilang desaparacido |
2009 |
Butterflies Have No Memories |
Editor
Films | |
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2023 |
Essential Truths of the Lake |
2022 |
Isang Salaysay ng Karahasang Pilipino |
2021 |
Historya ni Ha |
2020 |
Lahi, Hayop |
2019 |
Ang Hupa |
2018 |
Ang Panahon ng Halimaw |
2016 |
Hele sa Hiwagang Hapis |
The Woman Who Left |
|
2013 |
Norte, hangganan ng kasaysayan |
2011 |
Elehiya sa dumalaw mula sa himagsikan |
2008 |
Melancholia |
2007 |
Kagadanan sa banwaan ning mga Engkanto |
Documentaire | |
---|---|
2019 |
30 (+) films pour la 30ème |
2014 |
Mga anak ng unos |
2012 |
Pagsisiyasat sa gabing ayaw lumimot |
Korte films | |
---|---|
2013 |
Prologo sa ang dakilang desaparacido |
Cameraman
Films | |
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2023 |
Essential Truths of the Lake |
2022 |
Isang Salaysay ng Karahasang Pilipino |
2021 |
Historya ni Ha |
2020 |
Lahi, Hayop |
Liminal |
|
2019 |
Kaputol |
2016 |
The Woman Who Left |
2014 |
Mula sa kung ano ang noon |
2011 |
Elehiya sa dumalaw mula sa himagsikan |
2009 |
Eoddeon bangmun |
2008 |
Melancholia |
2007 |
Kagadanan sa banwaan ning mga Engkanto |
Documentaire | |
---|---|
2014 |
Mga anak ng unos |
2012 |
Pagsisiyasat sa gabing ayaw lumimot |
Korte films | |
---|---|
2013 |
Prologo sa ang dakilang desaparacido |
2009 |
Butterflies Have No Memories |
Set designer
Films | |
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2022 |
Isang Salaysay ng Karahasang Pilipino |
Kapag Wala Na Ang Mga Alon |
|
2021 |
Historya ni Ha |
2019 |
Ang Hupa |
Componist
Films | |
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2020 |
Lahi, Hayop |
Liminal |
|
2018 |
Ang Panahon ng Halimaw |
2007 |
Kagadanan sa banwaan ning mga Engkanto |
Documentaire | |
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2019 |
Los océanos Son Los Verdaderos Continentes |
Acteur
Films | |
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2024 |
Schirkoa: In Lies We Trust |
2017 |
Salvage |
2016 |
Singing in Graveyards |
2015 |
Gayuma |
2014 |
Lorna |
2012 |
Colossal |
2011 |
Elehiya sa dumalaw mula sa himagsikan |
2009 |
Himpapawid |
2007 |
Kagadanan sa banwaan ning mga Engkanto |
2006 |
Todo todo teros |
Documentaire | |
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2023 |
Taxibol |
2021 |
Life in 24 Frames a Second |
2015 |
Kapatiran |
The Last Pinoy Action King |
|
2010 |
Philippine New Wave: This Is Not a Film Movement |
Producent
Films | |
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2021 |
Historya ni Ha |
2007 |
Kagadanan sa banwaan ning mga Engkanto |
Documentaire | |
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2019 |
30 (+) films pour la 30ème |
Geluidsmens
Korte films | |
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2013 |
Prologo sa ang dakilang desaparacido |