Kaka

Underworld is definitely not an extremely good film, but it is visually attractive, musically well-done, and sufficiently atmospheric. Kate Beckinsale fits snugly into her tight suit, and the only thing that really bothered me, and paradoxically diminished the film's cool factor, were the sometimes dull and unnecessary digital effects.

The script is slightly clichéd, but the atmosphere was palpable and the music was excellent. So what if any decent filmmaker can shoot something like this just as well or better than Robert Zemeckis?

Arguably the best modern pirate film. Likeable, compact, with plenty of humor and self-parody, it definitely does not bring shame to the genre and easily surpasses the highly acclaimed Pirates of the Caribbean in practically every aspect. Perhaps Renny Harlin softened a bit and Cutthroat Island is not as striking and bloody as his previous films, but this does not change the fact that the action scenes are still solid, perfectly staged, and appropriately dynamic. Geena Davis is fine, and Frank Langella is absolutely brilliant, his lines are unforgettable. The final part is made up of a unique musical score, definitely one of the gems of film music. If you have a sense of perspective, a good mood, and aren’t critical, you can thoroughly enjoy this film.

Arguably the best action film of the “golden era” of the nineties. John Woo partially refers to his Asian influences while maintaining a typical Western fragrance and grandeur – precisely to captivate the widest range of audience. The action is practically flawless and incredibly captivating. The idea of ​​a face swap is quite original, which is further enhanced by the relatively “realistic” execution. Both Nicolas Cage and John Travolta are well cast and definitely do not embarrass their characters. Face/Off is simply a different film than most others in the action genre. A tribute to Hollywood blockbusters and probably John Woo's best film.

A spectacular and stunning film, visually precise, as is usual for Ridley Scott. A lavish production design, awesome cinematography, brutal action scenes, with blood splashing onto the camera. It's just a shame it didn't take home any Oscars, it definitely deserved one for the cinematography, production design, or music at least.

A very good psychological war drama. The flashbacks were well dosed and not a moment was boring. I enjoyed Captain Walden, I mean Meg Ryan.

Don't Say a Word is a brilliant thriller whose greatest strengths are undoubtedly the excellent performances of the main cast: Michael Douglas, Brittany Murphy, Sean Bean. Fast pace, excellent atmosphere, various shots, slow-motion, flashbacks, simply excellent. It's just a shame about the ending.

I'm honestly a little disappointed. I've seen the previous Ryan films and I have to say that both Patriot Games and  The Hunt for Red October were much better.

Only on a second screening and with a few years' distance, it's truly a fantastically ethereal experience that breaks a person into pieces. It's not so much the convoluted plot, but above all the captivating performances of Tom Cruise and Penélope Cruz that will be remembered for a long time. Cameron Crowe did exactly what was expected of him: an intellectually and uniquely analysis of the soul that is simple as a slap in the face from the inside. And it works brilliantly.

The beginning is engaging, the portrayal of the characters is good, the production quality is high, and Mel Gibson's facial expressions are traditionally precise. Jason Isaacs plays the villain with skill, and the initial clearance of twenty redcoats is unforgettable. But those are the only highlights of the film and then it only goes downhill. The fight scenes are not as dynamic and the mass scenes do not work well for Roland Emmerich. The cinematography is confusing and unclear, and the raw war atmosphere is clearly lacking. It's hard to fault Patriot for its pathos, but Gibson alone with his array of alternating angry, furious, and sad looks cannot win the war.