Regie:
Ildikó EnyediScenario:
Ildikó EnyediCamera:
Máté HerbaiMuziek:
Ádám BalázsActeurs:
Géza Morcsányi, Alexandra Borbély, Zoltán Schneider, Ervin Nagy, Tamás Jordán, Zsuzsa Járó, Réka Tenki, Júlia Nyakó, Itala Békés, Attila Fritz, Rozi Székely (meer)Streaming (1)
Samenvattingen(1)
In een slachthuis in Boedapest is de introverte Mária nog maar net als de nieuwe kwaliteitscontroleur aan de slag gegaan, als het geroddel onder haar collega’s al begint. Mária gedraagt zich opvallend anders. Ze zit tijdens de lunch altijd alleen in stilte, ze neemt haar werk extreem serieus en houdt zich strikt aan de regels. Haar wereld is er een die bestaat uit cijfers en gegevens die in haar geheugen geprent staan. De enige op werk die toenadering zoekt is haar baas Endre. Ondanks de gesloten karakters van beiden leren ze elkaar steeds beter kennen en ontdekken ze per toeval ’s nachts hetzelfde te dromen. Ze zijn met stomheid geslagen. Hun relatie en de manier waarop ze in het leven staan verandert, als ze overdag hun dromen samen na beginnen te spelen. (September Film)
(meer)Recensie (3)
A really difficult romantic story. You have no idea what is going on in the heads of the main characters, you just watch how they are trying to reach each other and how they fail. The creators also used a lot of shots from the slaughterhouse, which I would have done without. However, I understand that it represents a certain reflection of how the main characters live and where they significantly lack a bit of human sympathy. Nevertheless, the ending proves that if not for Alexandra Borbély, the film would be a half of what it is. She really tuned into her melancholic sad role and really helped the movie.
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Sweetly escaping and painfully physical bloody romance, which is dominated by Alexandra Borbély's shy creation, Máté Herbai's calm, elegant camera, and the ability to create a surprisingly fragile and lyrical atmosphere of a place where two souls meet in an environment where animals are killed and meat sliced. Ildikó Enyedi's long creative pause probably led to the lighter struggle with rhythm, but this restrained debate about the limits of the body and freedom of the soul is still a deep experience.
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A weird film, which knocked my cynical self out of the game. The Hungarian filmmakers really pulled it off again. The film was relaxing, romantic and dramatic, yet I wouldn't recommend it to any animal rights activists or the faint of heart. I'm still blown away by Alexandra Borbély, it's been a long time since a film character intrigued me as much as Marika.
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