The Son

I'm very happy with both seasons of The Son. If it had been created in the 1950s, the role of Eli McCullough would have probably been played by John Wayne, who would, as the leader of the Texas Rangers, heroically defeat the terrible and vicious Indians for the good of all godly and righteous Americans. Instead of such a disaster, this series shows the situation in a slightly different light, and I was loving it. (20.01.2020)

The first season was a nice surprise. Although the story of Eli McCullough has two separate plotlines, I didn't mind as it was perfectly easy to follow, and the glimpses into the past were interesting and offered some useful insight. After what I have seen so far, I’m definitely looking forward to the next season. (18.09.2019)

The series introduction was pretty solid. We got the usual character introductions, and even though the story jumps between two distant timelines, it’s done really clearly so far. I initially thought it was going to be another typical Wild West show, so setting part of it in 1915 was a nice surprise. 3*+ (17.09.2019)

After two episodes, I'm cautiously optimistic. The story and characters are gradually gaining depth, and the time period is right up my alley. Plus, I'm loving the time jumps to 1849. The creators aren't shying away from raw action either, so, for now, I'm pretty satisfied. (17.09.2019)

The pace was slower this time and there were noticeably fewer action scenes, but I got a deeper look into the McCullough family's situation and the tense US-Mexico relations. I had to keep reminding myself that most of this is happening in 1915 — Texas feels like it's stuck in a time warp. Overall, still a solid episode. 4*- (17.09.2019)

I really enjoyed the events in both timelines, and the action scenes were pretty solid too. (17.09.2019)

The fifth episode was the best one yet, especially when the creators reminded us about the strongest weapon against the natives. Most of the episode focused on the Mexican raiders attacking the McCullough ranch, and I have to say, I loved how it was executed. Overall, I was satisfied. (17.09.2019)

The series seems to be holding up well. While I enjoyed the present-day storyline in 1915 as usual, it was the events from 1850 that really grabbed my attention this time. Maybe it's because I'm not exactly a fan of the nation of world democrats and peacemakers, but they were definitely getting to the point here. (18.09.2019)

I've got some reservations about the seventh episode. Both storylines seemed overly fixated on romantic affairs, but what really threw me for a loop was the gay club. In 1915?! In Texas?! You'd think pitchforks and torches would still be a threat there even today. 3*- (18.09.2019)

After a slightly weaker previous episode, we're back on track with another solid one. What really got me hooked was the intrigue surrounding the oil field. The fact that it's situated on somebody else's land doesn't seem to bother anybody. It's fascinating how it echoes the current foreign policy of the USA. (18.09.2019)

The ninth episode wasn't exactly the series' finest hour for me. Don't get me wrong, the scheming against the Garcia family was top-notch, but it felt like a side plot. The rest of the episode was a bit lackluster and dragged on, failing to fully convince me. (18.09.2019)

No way! The final episode of the first season was a welcome revival after the previous dullness. Both storylines were packed with action, and I refused to let it be ruined by mysterious interventions through a half-meter wall. I had a blast. (18.09.2019)

The second season turned out to be even better than the first one. I was really glad because this is not always the case with the series I watch. The creators picked up where they’d left off two years ago, and I must say they managed to tweak everything to perfection. (20.01.2020)

The episode seamlessly picks up where the previous season left off. What caught me off guard was the expansion to three different time frames, with added flashbacks to Pete's adventure south of the border. At first glance, it might seem like a lot to handle, but the creators are pulling it off with finesse so far. (19.01.2020)

Right up to the closing credits, the episode maintained a relaxed pace, but boredom didn't even cross my mind. The creators skillfully weaved in plenty of crucial details, keeping me engaged throughout. And besides the gripping family drama in the McCullough clan, it looks like there's some juicy political intrigue on the horizon. (19.01.2020)

The second season continues to sail smoothly. I haven't felt a dull moment yet. The storyline sticks to its dual timelines, with occasional glimpses into 1985, adding a nice touch to the overall narrative. (19.01.2020)

Once again, the creators expertly navigate between two distinct time frames. 1851 was full of action-packed scenes, while in 1915, the focus shifts to intense politicking, plotting, and negotiating. Much like in the previous season, I'm thoroughly pleased with how the story is unfolding. (19.01.2020)

Once more, I found myself thoroughly entertained by the creators' skillful juggling of events spanning sixty-four years. They effortlessly weave together captivating plots in both timeframes, ensuring there's never a dull moment. I'm hooked from start to finish. (19.01.2020)

Even with the series diving into one of today's hottest debates, my rating stays solid. The take on the issue was fresh, delving into how each family member wanted to help Phineas and their personal motivations for doing so was fascinating. And with hints of something bigger on the horizon, I'm hooked for what's to come. (19.01.2020)

After all that backstabbing and plotting, it was such a thrill to see some real action unfold. And props to the creators for weaving it seamlessly between both main time periods. It kicked things up a notch, and I was totally here for it. No doubt about it, this one's getting a solid five stars from me. (20.01.2020)