Samenvattingen(1)

The second instalment of Bill Douglas’ revered Trilogy. Though life becomes ever harder for Jamie, so that he eventually end up in a none-too-comforting children’s home, the bold, uncompromising assurance of Douglas’ very personal brand of realism ensures that the film effortlessly avoids the pitfalls of sentimentality or self-pity. Rather, it is so firmly grounded in specific memories that the boy’s experiences feel quite universal in their relevance. (British Film Institute (BFI))

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