Biografie (1)
Robert Rossen started his career writing socially conscious films noirs that provided implicit left-wing commentary on the anti-communist investigations taking place in Hollywood. He moved into directing in the late 1940s – his third film, All the King’s Men (1949), won the Academy Award for Best Picture – before being blacklisted for his association with the Communist Party. This decision was overturned after Rossen identified 57 current or former communists, and… (meer)
Galerie (1)
Het laatste uur (1947)
Photo © Columbia Pictures
Scenarioschrijver
| Films | |
|---|---|
| 1964 |
Lilith |
| 1963 |
The Cool World - toneelstuk |
| 1962 |
Billy Budd |
| 1961 |
The Hustler |
| 1959 |
They Came to Cordura |
| 1956 |
Alexander the Great |
| 1954 |
Mambo |
| 1949 |
All the King's Men |
| 1947 |
Desert Fury |
Het laatste uur |
|
| 1946 |
The Strange Love of Martha Ivers |
| 1945 |
Opmars zonder genade |
| 1943 |
Edge of Darkness |
| 1941 |
Blues in the Night |
Out of the Fog |
|
The Sea Wolf |
|
| 1939 |
A Child Is Born |
Dust Be My Destiny |
|
The Roaring Twenties |
|
| 1938 |
Heart of the North |
Racket Busters |
|
| 1937 |
Marked Woman |
They Won't Forget |
|
Regisseur
| Films | |
|---|---|
| 1964 |
Lilith |
| 1961 |
The Hustler |
| 1959 |
They Came to Cordura |
| 1957 |
Island in the Sun |
| 1956 |
Alexander the Great |
| 1954 |
Mambo |
| 1951 |
The Brave Bulls |
| 1949 |
All the King's Men |
| 1947 |
Body and Soul |
Het laatste uur |
|
Producent
| Films | |
|---|---|
| 1964 |
Lilith |
| 1961 |
The Hustler |
| 1956 |
Alexander the Great |
| 1951 |
The Brave Bulls |
| 1949 |
All the King's Men |
The Undercover Man |
|