Biografie
Lee Whittaker has worked extensively on both sides of the lens all over the world. Whittaker began as one of the top stunt performers in the industry with two decades of elite work on some of Hollywood's biggest blockbuster films.
After a decade's experience as a second unit director and stunt coordinator, Whittaker safely and creatively pushes the boundaries of designing and capturing the most intense extreme action through innovative styles of cinematography.
His Bollywood debut came with the film "Vishwaroopam," for which he did second unit direction and action direction. The film became one of India's biggest hits of 2013. He also directed second unit and action directed another Indian film, the action thriller "Arrambam."
He wrote and directed a short film, "Catching Fireflies," about a homeless young girl, which ran the festival circuit as he hoped to make a difference by bringing awareness to this far-reaching topic.
Warner Bros.
Acteur
Films | |
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2014 |
Into the Storm |
2013 |
Arrambam |
2012 |
The Girl from the Naked Eye |
2009 |
Bad Reception |
Black Dynamite |
|
2008 |
The Open Door |
2002 |
Deuces Wild |
High Crimes |
|
2000 |
True Rights |
1998 |
12 Bucks |
Relax... It's Just Sex |
|
1997 |
Curse of the ShadowBorg |
Series | |
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2011 |
Kickin' It |
2006 |
Drake & Josh |
Who's Got Game? (S04E05) |
|
2005 |
Boston Legal |
Tortured Souls (S01E15) |
|
CSI: Miami |
|
Identity (S03E15) |
|
Desperate Housewives |
|
One Wonderful Day (S01E23) |
|
1999 |
Angel |
1998 |
Martial Law |
1996 |
Big Bad Beetleborgs |
Pacific Blue |
|
1995 |
Hang Time |
1994 |
High Tide |
1993 |
Mighty Morphin' Power Rangers |
Documentaire | |
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2019 |
The Remarkable Life of John Weld |
Korte films | |
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2006 |
Mark(s) |
1998 |
Da Game of Life |
1997 |
Desert's Edge (Tv-film) |
Regisseur
Films | |
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2023 |
Aimee |
Korte films | |
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2015 |
Catching Fireflies |
Scenarioschrijver
Films | |
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2023 |
Aimee |
Korte films | |
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2015 |
Catching Fireflies |
Producent
Films | |
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2023 |
Aimee |
Editor
Films | |
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2023 |
Aimee |
Host
Programma's | |
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1994 |
All That |