Kaka

A great ride full of twists and turns and a final execution that sets up big things in the next episodes. An episode on par with those starring Pablo.

The most rewarding episode so far. There’s a lot going on, the characters are finally profiled, and we are treated with the gradual elimination of "Shorty" and his bold idea with the tunnel. Excellent pace and progression on all major fronts.

A weird detour in the main storyline. The mini-story in the style of Wild West gunslingers is not very entertaining, nor is the absurd battle for honour.

It begins with a superbly executed interrogation scene with an extremely charismatic bad guy and ends when the goddess (Teresa Ruiz) comes to visit the club. The forging of new partnerships and the attempts to end old ones in the middle are not that interesting.

A slow start and a gradual birthday introduction of all the main figures of the second season with the cherry on top in the form of a conversation between Pacha and Gallardo. Very satisfied so far, it's on a similar note to the first one.

A rather terse and confusingly conceived story, which does not lack the typical Emmerich trademarks in the form of a first class CGI fest. At the same time, Midway lacks the sense of composition and clarity of the action scenes of Michael Bay’s Pearl Harbor. Fortunately, this time Roland shows pathos only at the end, and then only to a degree that is easily digestible. So bottom line, as long as the viewer can survive the rather unentertaining structure of the military moves on the chessboard, the bunch of guys in uniforms is pretty cool and the visual effects, although too artificial in places, are quite watchable.

A must-see thing for SW fans. A good spin-off from the classic films that is quite high in quality, somewhere on the level of Rogue One. It has fresh and unobtrusive humour, likable characters and a Mandalorian, to whom the creators subtly try to give a kind of mystical dimension of a star hunter and the best warrior of the galaxy. And it quite works, really. The actors are also good. Gina Carano is a hit, as is Werner Herzog with his raspy voice. And Baby Yoda is a great screenwriting idea. Bring in Season 2.

The best episode. A balanced mix of humour, action, an excellent finale and a delicious lure for the next season, which may well be far more epic and spectacular than the down-to-earth first. Actually, the eight episode is several highlights edited into one whole. Waititi approaches it smartly and with feeling, and everything works out well.

An above-average set-up for the finale and the first truly emotional episode that, unlike the rest, offers more than just action, exploring new corners of the galaxy and cool banter.

A minimalist prison and a very interesting squad of bounty hunters who are more than worthy competition for the Mandalorian, each of them completely different, plus more and more SW winks in the form of X-wings and hyperspace travel – the only thing missing are light sabres. A very good episode, atmospheric and with growing tension.