Meest bekeken genres / types / landen

  • Drama
  • Actie
  • Komedie
  • Horror
  • Misdaad

Recensie (2 797)

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No Country for Old Men (2007) 

Engels An atmospheric and chilling, deadly quiet and coldly rough thriller, with the unique creative signature of the Coen brothers. In the end, it tries to look like great art and the audience has no problem buying it. After a few ventures into comedy, the Coen brothers have returned to the genre where I like them most. My teenage nightmares were haunted by Michael Myers; today it’s going to be Javier Bardem’s killer. And not even the sheriff played by Tommy Lee Jones can save me from him.

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Burt Munro, the World's Fastest Indian (2005) 

Engels Anthony Hopkins’ acting has more hues than all the beautiful locations he passes through in this film like Alice in Wonderland. Watching this acting genius is an experience as amazing as watching Ennio Morricone conduct an orchestra. And this film is nothing but a positive, good-natured, perfectly crafted ode on Anthony Hopkins’ acting skills. God bless him.

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We Own the Night (2007) 

Engels We Own the Night is smaller and less original, but more open and emotionally relatable than the similar American Gangster. Excellent actors, hard-on-inducing Eva Mendes, and a breath-taking car chase that will make the blood freeze in your veins. Very good job, folks!

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Before the Devil Knows You're Dead (2007) 

Engels A terribly depressing study of twisted family relationships brought on by a tragedy. The characters have more personal weaknesses and character flaws than we are used to in American films, and the screenwriter sends them to the deepest pits of hell for it. The plot is unpredictable and although the picture feels like it is 20 minutes longer than it really is, it is never boring. Before the Devil Knows You’re Dead is a thoroughly old-school psychological drama with very good acting performances, thriller elements and a special multi-flashback composition. It will exhaust you mentally. The curse of a journalist is to see such a film in the morning or early in the afternoon, as they would feel completely devastated for the rest of the day.

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Jumper (2008) 

Engels Jumper is a completely empty and silly flick. It’s like an hour and a half of watching a nicely decorated aquarium without any fish in it. The creators didn’t see their idea through even halfway to the end and the only cool thing about the film is Samuel L. Jackson’s hairstyle. Unsuitable for viewers over 18.

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Dai-bosatsu tôge (1966) 

Engels This samurai film is more complex and less poetic than, for example, the Lone Wolf and Cub movie trilogy. There is no character with whom we can identify. The film is a psychological study of a man – a demon – who is bad to the bone. The dark atmosphere of the film is so thick that you could cut it with a knife, but the hasty ending fatally undermines all meaningfully developed storylines. The result looks as if Okamoto shot the film without the last pages of the script, or as if filming had to be prematurely stopped and an unfinished version was released to the world. I was not particularly pleased with the fight scenes, which are closer to theatrical artifice than samurai film classics.

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Atonement (2007) 

Engels Just like Titanic, but written and edited in a more sophisticated fashion.

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Sweeney Todd: The Demon Barber of Fleet Street (2007) 

Engels After a second viewing, I have to stick with three stars. Sweeney Todd simply lacks heart and its witty ending doesn’t salvage it in this sense. The violence is cold and hateful, lacking Burton’s narrative poetics (like in Sleepy Hollow, for example). Todd’s decision to become a serial killer is unjustified and doesn’t make sense. And I don’t think that the singing Johnny Depp was a good choice for the title role. The other actors, however, were superbly cast and the set designs and music are great.

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Dellamorte dellamore (1994) 

Engels Cemetery Man is an extremely deranged trip beyond the grave that makes even Peter Jackson’s Braindead look mainstream. Of course, I’m not talking about the amount of blood, which is completely irrelevant, but the creator’s original style, which surprisingly looks neither cheap nor ridiculous and has unique, appealing poetics. A delicious affair, if only for a very limited audience.

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Love in the Time of Cholera (2007) 

Engels *Spoiler alert* A young guy experiences his first unrequited love. He has spent his whole life trying to overcome the resulting pain by banging hundreds of women, only to be finally able to bang that first one in old age, and say: “I’ve been waiting for this my whole life.” With a romantic shot of a parting steamboat on a river, the 140-minute film is over. And I find myself asking: "What the hell did I just watch?"