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David Copperfield (circa 1992) removes his assistant’s head from her body while Venus (a modern parody of both Cabanel’s and Botticelli’s Birth of Venus) squeezes a ThighMaster and swipes through her iPhone in a constructed cyber-cerebral landscape. The cyborg conflations of the human, the mythological, and the digital turn into static; a disembodied cursor changes the channel. (Ann Arbor Film Festival)
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