Midnight Special

E.T. the Extra-Terrestrial for the new millennium? Not a chance. Midnight Special is rather like an average episode of The X-Files. Though it is well cast and the plot is well paced, the film is emotionally flat (with only a succinct depiction of the characters), not very clever (a boy is able to knock a satellite out of the sky through force of will, but he can’t stop a car in which he is being kidnapped by two old men?!) and, in working with the genre, it merely repeats familiar motifs without the slightest update or surprise. The climax reaches for narrative grandeur, but it doesn’t offer even a fraction of the awe or intellectual depth of similarly conceived genre climaxes (The Abyss, Arrival, Annihilation). For Nichols, this must have been just a routine studio commission; I don’t believe that he made Midnight Special for creative gratificaiton. Two and a half stars. (08.05.2020)

I wouldn’t be that critical of this film. Sure, the premise is really crazy, but the filmmaking craft is more than solid for a realistic sci-fi. The same goes for actors who have gathered in a more than decent cast. Kirsten Dunst, Michael Shannon, Joel Edgerton and Adam Drivers are among those today’s actors that are nice to watch and usually do not disappoint. If you accept the premise, count on not being disappointed by its effectiveness. (27.06.2018)

Euphoric opening scene (the best road tension since Drive), very good first hour, and a few solid scenes after it. Unfortunately, the rest is one of the worst things Nichols has ever written/filmed. The conclusion is purely full retard... i.e., full late Shyamalan. A terrible pity... as a tribute to seventies sci-fi ok, but as a dramatic whole with a rather subtle psychological line its very scattered. [Berlinale 2016] (25.02.2016)

The movie strives hard to be a more sophisticated Carpentner´s Starman. At first it works pretty well, but the closer the conclusion is, the less this true this statement is. Nichols is scoring an own goal by a silly script. Fortunately, he does he best to dealt with it as a director and the cast also did not leave him in the lurch. With the honorable exception of Lieberher, who, however, is to some extent excused by the cruelly ungrateful role of a wise child. But despite all the stupid naivety, it keeps a captivating atmosphere all the time, and thanks to Stone behind the camera, it's exceptionally well-put in terms of visuals. As a result, it is more interesting than really good, but it´s interesting because... Well, in an interesting / nice way. (27.08.2018)

Great cast, focused direction, old-fashioned sci-fi feel. Unfortunately, it's a bit bland in the end. It doesn't make use of the interesting themes it presents. There’s no catharsis, nothing. Adam Driver is woefully underused, and so is Sam Shepard. The comparisons to E.T. are spot on, but it doesn’t win your heart. Jeff Nichols seems unsure of what he wants to say. (22.02.2024)

An interesting genre representative. It’s a good idea, suspenseful until the last shot. Beyond that, I appreciated Kirsten Dunst playing up the maternal roles, and I'm always happy to see Michael Shannon too. However, this is not my favorite genre and I don't feel like I want to pursue it more. (27.07.2017)

In this movie, you wait too long for something big to happen, and when it finally does, it's not as grand as you imagined it to be. There are good scenes here, but the performances are even better, with Michael Shannon simply outstanding in every role, in my opinion. Adam Driver shows that he's not just Kylo Ren, although you still might feel like he's acting somewhat similarly, though more on the side of good. (17.06.2016)