Samenvattingen(1)

Het verhaal speelt zich in de nabije toekomst af waar boksen een hightech sport is geworden. Charlie Kenton (Hugh Jackman) is een boxer die zijn glorie verloren heeft en daarmee ook zijn kans op een titel, nu stalen robots van bijna 1.000 kg en 2,5 meter lang de boksring overgenomen hebben. Als promotor verdient Charlie net genoeg geld om simpele robots in elkaar te zetten om zo van de ene ondergrondse bokswedstrijd naar de andere te kunnen gaan. Wanneer Charlie aan lager wal raakt, is hij genoodzaakt samen te werken met zijn zoon Max (Dakota Goyo) die hij nooit echt heeft leren kennen. Samen gaan ze aan de slag om een tegenstander te bouwen en te trainen die kampioenwaardig is. Charlie en Sam moeten alles op alles zetten en tegen alle verwachtingen in krijgen ze nog één laatste kans op een grote comeback. (The Walt Disney Company Benelux)

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Recensie (9)

3DD!3 

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Engels A punch aimed at the masses. Uncle Spielberg didn’t use the robot idea just in Transformers, but added this job on the side inspired by Matheson’s short story. Hugh Jackman is really cool, Dakota Goyo excellent (mustn’t laugh at the name) and I was pleasantly surprised by Evangeline Lilly who is awesome in this picture and has no problem in tossing that whiney Kate from Lost over her head. The story is a classic story of self-searching, strengthening family bonds and fighting enormous robots in the ring. The tricks are really effective during the fighting, with the right stuff of boxing at heart (especially in the finale). Levy’s can direct when he has a decent screenplay in his hand. A movie that charges you with positive energy. ()

novoten 

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Engels Airheaded nonsense. To duck when Alex battles Atom, to tremble when Evangeline Lilly smiles, and to cheer for the most likable guy in Hollywood face-to-face as you watch Hugh Jackman's expressions during the final bloody duel. Bravery for all those who are not afraid to look into the eyes of their younger self. ()

Reclame

POMO 

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Engels One of the most enjoyable mainstream Hollywood movies of the year. Though it’s packed with clichés about family values, it’s not annoying. The film skilfully blends elements of the ’80s with modern trends and it’s obvious that the filmmakers love their story and characters and care about the result. And that’s something rare in the Hollywood mainstream (Rise of the Planet of the Apes was also surprising in the same way this year, and to an even greater extent). Shawn Levy has finally shown himself to be a very good, enthusiastic director who only needs a high-quality screenplay (Real Steel touches the heart more than Spielberg’s Tintin). The precisely written characters devotedly played by Hugh Jackman and young Dakota Goyo make the film personal and sincere. The emotions between them are enhanced by the brisk energy of the great robot boxing matches, which know exactly where to add and where to take away. Real Steel made me happy and filled me with positive energy. ()

Malarkey 

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Engels Where are those times when Walt Disney made movies about talking dogs or cats and everyone liked it. Today, it is necessary to pour money into a proper Walt Disney movie to have the best effects and the best actors. They succeeded in Pirates of the Caribbean, but it seems to me that only because they had good actors who played original characters and perfect environment. Here everything is average from a to z, except for the effects. ()

J*A*S*M 

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Engels Transformers has a lot of money for breathtaking effects, but Real Steel has heart, which is the most important thing. Straightforward family entertainment with a straightforward script and an annoying wise geezer in the main role. But everything is so nice, and even the annoying wise geezer ends up begin likeable, that it was a lot of fun to watch. In a nutshell, a pleasant surprise, though the robot fights could have been shot with more dynamism and tension, they felt too much like a routine. Overall, though, nice pop-corn fun. ()

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