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For 16 years, Alice Tate (Farrow) has been ignored by her husband (Hurt), spoiled by wealth, and tranquilized by boredom. But when she unexpectedly falls for a sexy musician (Mantegna) and impulsively consults a mysterious Chinese herbalist for advice, Alice begins a madcap journey into a strange new world of possibilities. But as she begins to realize who she is and what she values, Alice must also confront her deepest fears and decide how far she'll go for love and what she'll risk to change her destiny. (officiële tekst van distribiteur)

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D.Moore 

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Engels A Woody Allen fairy tale. The humor is scarce, but it's there ("Nothing fazes a New York cabbie!", the muse, the final party), the main character is naivety and tenderness personified, the pleasant story is easy to predict (but what kind of a fairy tale would it be then, right?).... What I liked most was the character of "Doctor" Yang and his supply of herbs. I'd take the invisibility herb every now and again. ()

novoten 

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Engels I smiled at the clever ending of the refined Alice, eagerly anticipating what the next herbs would do, and admired the gentle closeness of the fantastic flashbacks. And yet there is a bit of a lack of the masculine element. The usual wisecracks are purely Mia Farrow's jurisdiction this time, and while she is amazing as usual, as a character actress, she has a bit of trouble with that lightness. And the slow pace, which by Woody Allen's standards is more generous in terms of duration, is a huge obstacle. ()

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