Regie:
Pavol BarabášScenario:
Pavol BarabášCamera:
Pavol BarabášMuziek:
Michal NovinskiActeurs:
Peter Ondrejovič, Pavol Barabáš, Vít Káňa, Martin Žilka, Peter Valušiak, Lucia Mišíková, Zuzana Fialová (verteller)Samenvattingen(1)
Pavol Barabáš defined the adventure-travel line of his work with the film Omo – a journey to prehistoric times. At the level of the expressive component, this line is characterized by a specific style, sometimes almost reportage. The quality of the shots, which often appear amateurish, is forced by the circumstances of the filming and contributes to a remarkable reception experience – the viewer has the feeling of a pure, unadulterated adventure. The degree of authenticity is high – Barabáš does not stage situations, they appear undirected, unintentional and often accidental. The German theorist Siegfried Kracauer would have been happy, in his ontological studies of cinematography he once tried to promote just this: the actual capture of the unstaged and unintentional "flow of life". (4 živly)
(meer)Recensie (1)
You don't have to flip through the books of Josef Augusta and Zdeněk Burian to visit prehistory. Just take a raft and paddle down Ethiopia's largest river, the Omo, to the ends where tourists rarely set their feet. An unimpressive but still interesting documentary in which the most striking thing is the aggressiveness of the thieving Morsi tribe, in whose territory you have to pay to breathe their air, and the chills from their practice of "beautifying" their women in a way in which they cut their lower lip and insert larger and larger plates into it over time. You will also see that it’s possible to survive being bitten by the Gabuna viper, whose venom can easily kill several dozen people, and you will discover with a bitter feeling that the only thing that our "advanced" civilization can unfortunately provide to primitive tribes deep in the African jungles are lethal Kalashnikovs in the hands of bushmen.
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