Boy Kills World

  • USA Boy Kills World (meer)
Trailer 2

Samenvattingen(1)

Nadat bij een strijd met de corrupte post-apocalyptische Van Der Koy familie zijn tong werd afgesneden, kan Boy (Bill Skarsgård) niet meer praten. Zijn hele familie werd in die strijd vermoord en Boy zin op -gedreven door zijn innerlijke stem, die hij overnam uit zijn favoriete computergame – op wraak. Om zich klaar te maken voor de confrontatie moet Boy sterker worden en vooral loskomen van zijn kinderlijk levendige fantasie. Daarbij krijgt hij hulp van een mysterieuze sjamaan. (Pathé)

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Recensie (2)

EvilPhoEniX 

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Engels A bit of a disappointment for me, only the awesome finale pulls it up to a higher rating, but otherwise a bit of a letdown. The light-hearted concept bothered me a bit, unfortunately it isn't very funny and most of the actors overact disgustingly theatrically (Andrew Koji downright pissed me off here and doesn't perform anything). I was also quite bothered by Bill Skarsgård's inner voice and the humour was surprisingly lacking, but the action scenes were good, there’s a decent portion of gore, where heads and limbs are not spared. But then comes the finale, where the final 2 in 1 fight is the new ceiling of the action genre!! It was a like out of The Raid 2, with top choreography, nice slow-motion shots, fatalities; it made me scream and sweat like few have done before, this scene will definitively be in the TOP 10 fights on YouTube. 70% ()

Goldbeater 

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Engels The film is off to a very promising start. Some of the ideas concerning the perception of the world around the deaf-mute main character are quite entertaining, although the film doesn't try to work with them in any clever way. Similarly, they don't attempt much in terms of world-building, so the whole inner world feels as shallow as an arcade game level (which may have been the intention), plus they populate the plot with utterly futile, annoying and unmotivated bad guys (which may not have been the intention) and soon bog down in a very repetitive action spectacle without any substance (which certainly wasn't the intention). The film cuts the branch underneath itself with a twist in the last quarter that turns the whole plot on its head and commits the cheapest deception on the viewer that can be devised. It's no longer about being stylistically surprising, it's just helplessly messing with the script. And the rest, sadly, isn't nearly as engrossing and cool as it tries to be. ()