Het zevende zegel

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Antonius Block (Max Von Sydow), a knight, returns from a 10-year crusade with his squire, Jöns (Gunnar Björnstrand), to find his homeland ravaged by the plague. When the black-cloaked figure of Death (Bengt Ekerot) appears to claim them, Block, whose war experiences have left him cynical about the existence of God and the afterlife, challenges Death to a game of chess to stall for time and gain some insight into the meaning of life before passing on. The game is intermittently paused and resumed during the journey home while Block and Jöns meet several traveling companions, including a mute girl (Gunnel Lindblom) whom they save from a bandit, and a family of poor traveling players--Jof, a gentle visionary (Nils Poppe); his wife, Mia (Bibi Andersson); and their infant daughter. Block witnesses much suffering and anguish along the way (an encounter with a woman accused of witchcraft who is about to be burned at the stake is especially jarring) but also finds evidence of human kindness and love, prompting him to realize that even a single gesture of goodwill might make the long struggle of his existence worthwhile. (officiële tekst van distribiteur)

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DaViD´82 

alle recensies van de gebruiker

Engels But He remains silent... The Seventh Seal is a film that will leave you with a lot of questions about the meaning of existence. You can ask yourself the same questions as the wandering crusader knight Antonius Block, but "I call out to Him in the darkness. But it’s as if no one was there". Don't expect anything more or less from it. However, it raises these questions in tremendously powerful scenes, so that even after multiple viewings, you will still be on the edge of your seat while watching Block's futile battle for life. A completely exceptional film that is rightly a classic and, together with Scorsese's The Last Temptation of Christ, the best "question asking" work. ()

gudaulin 

alle recensies van de gebruiker

Engels I'll be honest with you: I have never really understood Ingmar Bergman, though with a few exceptions, and his critically acclaimed dramas usually simply bore me. The Seventh Seal is one of the few titles I come back to - perhaps because as an atheist, the spiritual aspect of the film passes me by, and unlike the interpreters of Bergman's work, I couldn't care less about the existential discussions of the 1950s conducted in the shadow of the Cold War and the threat of nuclear apocalypse. For me, the film remains a simple game about the fact that you can't outsmart death, or rather, that we all have to face it. Bergman had a lucky hand in choosing the actors, and perhaps even more than Max von Sydow in the main role, I find Gunnar Björnstrand's performance as the knight's squire, Jöns, likable. Perhaps the only thing I would criticize about the film is its overly stylized theatrical expression influenced by the fact that it was practically entirely created in the studio. Overall impression: 75%. ()

Reclame

kaylin 

alle recensies van de gebruiker

Engels Maybe when I watch it in 10 years, it'll say more to me, but for now, I haven't been able to fully appreciate what Ingmar Bergman presents in this piece. There are intriguing characters and fates outlined here, it all has a tone that gets under your skin, and maybe you'll start pondering, but as I say, I probably still need to mature. ()

Stanislaus 

alle recensies van de gebruiker

Engels The Seventh Seal is on the one hand a dark film full of depression and death, while on the other it radiates hope, life and even humour at times. The Crusader's symbolic last stand with Death, or the final view of the horizon with the dead, make this Swedish classic something unforgettable. In short, it is not a supreme or perfect work, but as a pointer back to the past, to the time of the Crusaders, the burning of witches and Death appearing to the people, this film by Ingmar Bergman is an illustrative example of the issue of man's encounter with death. ()

novoten 

alle recensies van de gebruiker

Engels A person safeguards their life in a chess battle against Death, both players speaking to each other through bars, while intertwining (dis)belief in God, variously depicted attempts to escape the ubiquitous weight of life or various human weaknesses with anger or desire in the foreground. Bergman's reproduction of sad hope. ()

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